Clients come to us for all sorts of different reasons when they’re considering adding video to their online presence. In the case of Sim Kalsi, owner of RSK Automotive it was a brand rethink and refresh that set the wheels in motion. And as it turns out – he had quite the story to tell.
RSK has called Hamilton home for 6 years. Their new tagline “Built By Hamilton” speaks volumes of their dedication to the people of #HamOnt. With a long family history in local automotive repair, Sim has built a reliable and trusted brand featuring a team of skilled technicians with a passion for the steel city.
With a strong narrative lead by the team at RSK paired with glowing customer testimonials from some seriously happy folks in the neighbourhood, Double Barrel Studios put together one of our signature business profile documentaries, highlighting their many unique offerings. RSK truly stands out as a friendly neighbourhood auto body shop providing fair and accurate estimates and excellent customer service.
When you’re a national brokerage with teams in hundreds of Canadian cities, how do you even begin to capture the spirit of the hard working brokers representing your brand? In the case of INVIS/Mortgage Intelligence, the answer was simple. You go to them. With a camera crew in tow.
Over the summer of 2016, the Double Barrel team was thrilled to film across Canada, documenting the passion and the people behind the INVIS/Mortgage Intelligence brand. In one of our most ambitious documentary projects to-date, we filmed in six provinces and seven cities, capturing the camaraderie that makes INVIS/MI truly unique. From wineries in Kelowna, to line dancing at the Calgary Stampede, from charity golf tournaments in Niagara to boat cruises off the Halifax harbour. Through it all, what stood out the most was an overwhelming sense of community and caring. Brokers that truly care for their clients, and each other, working exceedingly hard to ensure their happiness.
Double Barrel is thrilled to have had the opportunity to work with Invis/Mortgage Intelligence, documenting this beautiful country and their world class teams from coast to coast to coast.
This completed piece screened at the INVIS/MI annual gathering, to rave reviews. And it’s easy to see why! Invis Mortgage Intelligence has successfully built the only true full service brokerage in Canada, attracting top brokers that are continually diversifying and developing their craft to deliver the best support possible. That’s something to cheer about.
At Double Barrel, we love working with organizations that inspire. So we were thrilled when Burlington advertising agency PLAY asked us to collaborate on this animated launch video for the Family Enterprise Exchange – an organization that supports Canadian family businesses through shared wisdom, expertise and education.
FEX is dedicated to empowering Canadian family businesses with all the knowledge and resources they need to propel their enterprise to greatness. Find out more at: https://family-enterprise-xchange.com/
“I have worked with many production film companies here and in the UK. But I have really enjoyed working with you and your team on this launch video. You are attentive and responsive and you are nice folks to boot. Its been a pleasure and the clients have been impressed with the final output. Thanks for all your collaboration, this work kicks off a new national brand across Canada focused on helping guide the many sme’s who keep our country ticking.” – Neil Woodley, Creative Director
One of the pillars of a good video is the editor sitting behind the computer. That editor relies on his or her knowledge in the art of editing, but equally on their knowledge and the performance of the software they use. Professional editors seek out editing software that is powerful, and efficient. In the past the majority of editors have opted to use either Avid or Final Cut Pro 7, however in the last decade Adobe has amped up their editing software, Premiere Pro, and for many reasons it’s becoming the software of choice for many editors; myself included.
So why the spike in popularity? As mentioned, the top software for years had been Avid and Final Cut Pro 7. Premiere was around, but not exactly a frontrunner. On June 21st 2011, Final Cut X was released to the public to extremely disappointing reviews. It was missing many features that professional editors rely on day-to-day. Many editors initially felt that the software was useless, with Hollywood film editor Walter Murch stating “I can’t use this”. Those issues have since been addressed, but the damage was done. Editors felt betrayed by a software that they had relied on for years, and many looked for other options. Premiere had a similar look, feel, and features to Final Cut Pro 7, as well as its own set of additional tools that were unique from any other software on the market. For many editors the choice was obvious, and the product has only grown making Premiere an obvious choice now for people just getting into the craft, and professionals looking for a different ecosystem to work in.
In 2013 Premiere Pro joined Adobe’s Creative Cloud, which is an affordable cloud-based subscription service that allows access to Adobe’s entire creative suite including popular software such as: Photoshop, After Effects, and Illustrator. Having access to all of these programs means that more can be done in-house (such as graphic design, animation and compositing). These programs also work extremely well together, and have the exclusivity of Adobe’s dynamic link between software. This means for example that you can make a change to a dynamic linked animation in After Effects, and it will immediately update in your Premiere timeline. This saves time and space from the usual method of re-exporting the animation after every change, and having to replace it in the timeline.Along with dynamic link and affordability, another benefit of Adobe’s move to a subscription service is that they release updates every few weeks rather than every 12-18 months like other softwares. Sometimes these updates are minor bug/performance fixes, but they can often be larger things like adding new features to keep them at the top.
Premiere Pro has grown a lot in the last decade. It has become one of the top choices for both video and film editors alike. The ability to work dynamically with the rest of the creative suite which includes industry standard software is a huge benefit to any editor who also has tasks outside of cutting. With the frequent addition of new features and tools, as well as constant updates to performance and bugs, it’s no question that Premiere Pro is here to stay and I couldn’t be happier with my choice.